Introduction It is hard to think of a recent martial arts studies title that has been more successful in capturing the general public’s attention than Wendy Rouse’s (2017) Her Own Hero:The Origins of the Women’s Self-Defense Movement... Continue Reading →
T’ai Chi Ch’uan is not a by-product, as it were, of any other art-dance form; it is not derived from ancient Chinese commemorative dance [ritual], folk, or classical Chinese theatre dance [opera], and does not resemble them in dynamics,... Continue Reading →
Men fighting men to determine worth (i.e., masculinity) excludes women as completely as the female experience of childbirth excludes men….The female boxer violates this stereotype and cannot be taken seriously—she is parody, she is cartoon, she is monstrous.... Continue Reading →
Introduction For someone who doesn’t read classical Chinese, I spend a lot of time in seminars listening to presentations on ancient texts. Cornell regularly invites visiting scholars to discuss their work. While none of these individuals has ever given... Continue Reading →
Introduction I am interested in the frequent, seemingly unconscious, way in which the word “traditional” is appended to the name “martial arts” in modern speech and writing. One does not simply study “Japanese wrestling” or “Chinese... Continue Reading →
What at first appears new is often something remembered. The human mind has trouble categorizing and finding meaning in anything that is truly unique or alien. Good storytellers know that originality is not always a virtue. The... Continue Reading →
Wonder Woman with a Dadao In China the realm of social violence, and the martial arts in particular, has been male dominated. That does not mean that women never became a part of such activities. After all, they... Continue Reading →
Introduction At the end of the last class at the “Central Martial Arts Academy” (the location where I am conducing my current research on lightsaber combat and the “hyper-real martial arts”) we all gathered for an... Continue Reading →
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